Star Trek: The Wrath of Gary

Gary Mitchell RebootedThe Interwebs are all abuzz about Star Trek Into Darkness with the online release of a short teaser trailer and a nine-minute preview set to debut in theaters ahead of The Hobbit next week. The biggest point of discussion: What iconic Trek villain is being portrayed by Benedict Cumberbatch?

Over at io9, Charlie Jane Anders has dissected the trailer looking for clues as to the identity of the Cumberbatch character as well as other hints that might reveal the movie’s plot.

Speculation was rampant that genetically-modified superman Khan would return ever since the movie went into production. But given what’s been shown in the limited clips and stills released so far, it’s unlikely.

And that’s a good thing, otherwise this Trekker would be forced to boycott this film. While I was pleasantly surprised by J.J Abrahm’s rebooted Star Trek, it was more style than substance, and every time I rewatch it, I find another element that irritates me. I will concede it’s a good start, but I have high expectations for its sequel. I want some depth and some compelling ideas, two ingredients that are essential to a great Star Trek story.

I also think the whole point of rebooting the Star Trek franchise is to tell new stories, and no matter what spin is put on a Khan-centric story, it will inevitably be compared to The Wrath Khan, arguably the best Star Trek film.

It’s been reported that the villain in Into Darkness is a character Star Trek fans will be familiar with, and based on what I’ve seen, Gary Mitchell, seen in the second original series pilot “Where No Man Has Gone Before” is the best bet, given that Cumberbatch is seen wearing a Starfleet uniform. While Garth of Izar from the original third season episode “Whom Gods Destroy” has also been mentioned as a possibility, I think he’s a little obscure. Considering Alice Eve‘s unnamed Into Darkness character looks a lot like Sally Kellerman‘s character Elizabeth Dehner from “Where No Man Has Gone Before”, the Mitchell theory has a lot of legs.

And I’m okay with that. For one thing, it’s plausible he would have exist in the rebooted timeline and have crossed paths with Kirk during their Starfleet Academy days. That doesn’t mean he has to become the silver-eyed God as he did the original series: he could be driven off the deep end by a different set of circumstances, hopefully something with emotional resonance rather than by some abstract alien force.

As for the trailer, it was full of sound and fury, but there wasn’t much to distinguish it from any other action/sci-fi movie. Abrahms has said he wants to bring a Star Wars sensibility to Star Trek and this worries me as much as the possibility of Khan popping up. The whole point of Star Trek is that it’s not Star Wars.

While I may be completely off-base with my predictions and concerns, one thing is for sure: There will be lots of lens flare.

Gary Hilson is a Toronto-based writer and content strategist. He also does a mean fox trot.

X-Men film debut rivals Burton’s Batman

I stayed up late enough last night to catch Roger Ebert’s review of the new X-Men movie and it reminded me why I never listen to movie reviewers most of the time: they have no idea how to review a genre film.

It’s not that I begrudge Ebert’s right to give a thumbs down, but why is it that the X-Men only received a minute of discussion when most movies on the show receive a lot more? I’ll tell you why: because it’s a comic book movie and people like Ebert are just too erudite to review these kinds of movies. In Ebert’s case, senility must also be a factor. He found the movie hard to follow. Better count your brain cells, Roger. He also complained there was too much focus on character development. Usually these anal retentive reviewers are complaining that there’s not enough character development and too much action.

Right now you’re probably thinking that I’m a rabid X-Men fan who will stand by his favorite mutants no matter how bad the movie may be. Wrong. I’ve never read an X-Men comic. I was a DC fan when I was younger. Green Lantern. Legion of Superheroes. Hawkman. Not X-Men. But while Ebert says the uninitiated would have problems following the movie, I had no problem at all. The X-Men is probably the best comic book movie since the first Batman, and I would hazard to say even better. This isn’t a bunch of guys in costumes taking each other on and trading one line zingers. This movie actually has depth, much more than any other comic book movie that’s been made. Not only should it be lauded for the effort of making its characters three-dimensional, it should be lauded for succeeding, with some minor exceptions.

The story is primarily told from the eyes of a teenage girl named Marie (aka Rogue), played by Anna Paquin, and Logan (aka Wolverine), played by Hugh Jackman. Rogue discovers early in the movie that she will drain the lifeforce out of anyone she touches and heads north, where she runs into Logan. Logan has the ability to heal very quickly from any wounds and has also been implanted with an indestructible metal, providing him with razor sharp claws. They are just two of many mutants in the world who are feared by the general public. A US senator (Bruce Davison) is leading the push to pass a bill that would force mutants to register. Professor Charles Xavier (Patrick Stewart) has hope that humanity will learn to accept mutants, but his old friend and now nemesis, Eric Lencher (aka Magneto), played by Ian McKellen, believes that the only recourse is to make sure mutants end up on top no matter what the cost. His mutants attack Wolverine and Rogue, but they are rescued by Xavier’s own X-Men, Storm (Halle Berry) and Cyclops (James Marsden).

Xavier runs a school for gifted youngsters, also a haven for mutants. He promises to help Wolverine unravel his past. The difference between mutants and superheroes is that mutants are persecuted, and in some cases a danger to themselves as well as others, whereas superheroes such as Superman were instantly idolized for their heroic abilities. The movie deals with this aspect in a thoughtful manner and the issue of racism, albeit on a simplistic level. Magneto as the villain is not just some guy who’s gone wacko like the villains in the Batman films. His motivations are very human. Unfortunately the mutants that have sided with him lack depth: the shape changing Mystique (Rebecca Romjin-Stamos), Toad (the Phantom Menace’s Ray Park) and Sabretooth (Tyler Mane) are all just two-dimensional baddies.

The X-Men is a very entertaining movie that’s well cast and well-plotted, balancing the character development and the action scenes. Don’t listen to the stuck up reviewers: they just don’t get it. And any die hard X-men fan I’ve spoken to has loved the movie and says it’s true to the original comic book legacy that inspired it. This X-Men virgin thinks it’s the best movie of the summer.

Gary Hilson is a writer, editor and digital media specialist for hire. He lives in Toronto.